Album Info Hide Show Artist: Iggy Azalea Album: The End Of An Era Released: USA, 2022 Tracklist: A1 Sirens 2:55 A2 Brazil 3:09 A3 Pillow Fight 2:47 A4 Emo Club Anthem 2:50 A5 Stfu 2:31 B6 Iam The Stripclub 2:48 B7 Nights Like This 2:33 B8 Woke Up (Diamonds) 2:41 B9 Is That Right 2:50 C10 Xxxtra 2:26 C11 Peach Body 3:09 C12 Sex On The Beach 3:01 C13 Good Times With Bad People 2:25 D14 Day 3 In Miami (End Of An Era) 2:46 D15 N.Y.E. 3:33 D16 Sip It 3:16 D17 Posh Spice 2:28 Info About Buying Vinyl From Our Record Store We are a small independent record store located at 211 High St, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir) We buy and sell new and used vinyl records – if you have a collection you’d like to sell please click here . We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post. Free Shipping for orders $150 and over. You can also pick up your order in store, just select Local Pickup at the checkout. 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If the record arrives damaged or doesn’t arrive we will cover the cost of replacing or returning the record. If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store. You can contact our Melbourne record shop at (03) 9939 3807 or at [email protected] Happy Listening! Description Hide Show Iggy Azalea called The End of an Era a time capsule of her twenties, and it plays like one big night out with every messy, glittery chapter preserved. Released on August 13, 2021 through her own Bad Dreams Records with EMPIRE, its her third studio album and the one she framed as a last hurrah before a career break. That setup matters, because the record leans into what shes always done with the most conviction shes shown since The New Classic. Tight hooks, chest-rattling bass, and the kind of icy punchlines that feel built for a packed room, not a think piece. Start with the one-two of Brazil and I Am The Stripclub. Brazil is all pulse and chant, a reminder that Iggys best writing isnt dense, its percussive. She raps for the dancers, for the kids in the cheap seats, for anyone who wants to feel larger than the room theyre in. I Am The Stripclub, which arrived with a high-gloss video and plenty of online chatter, doubles down on that intent. The beat is skeletal and mean, all kick and neon, and she rides it like a veteran who knows when to leave space and when to swing. Its simple on paper, but the mix does a lot of heavy lifting, letting her voice sit forward while the low end tugs at your ribcage. Then theres Sip It, a reunion with Tyga that brings back some of the shameless fun the two had on Kream. Tyga slides in with his usual unbothered cool, and the beat snaps like a rubber band. You can practically hear the dollar bills, which is the point. Iggys delivery is crisp, a shade more relaxed than on her 2019 output, and that ease is one of the records pleasures. She doesnt sound like shes chasing anything. She sounds like she has the room to do exactly what she wants. What works across the album is the sequencing. It feels like a night that starts loud, gets a little weird, then finds a second wind right when you think its over. The hooks stick because theyre built out of rhythms rather than melodies, and the production keeps things lean. No endless intros, no grand statements for their own sake. Even the splashier cuts move with purpose. You get sleek club tracks, glossy synths, and bass that recalls mid-2010s trap without living there. When she lets in a hint of nostalgia, its for the dancefloor, not for old headlines. Context helps. This is an independent Iggy, partnering with EMPIRE and calling her own shots. That freedom shows in the way she skews toward club music without apology. Its a smarter lane for her than chasing pop radio. The writing is playful and sharp, the flows switch up just enough, and the features are chosen for chemistry rather than clout. Tyga is the obvious draw, but the album doesnt lean on guests to carry it. If youre a listener who came in through the singles, the deeper cuts reward a full spin. The record never tries to be a confessional diary, yet theres a clarity in how it sums up a decade of hard work, hits, misses, and packed venues. She has said the idea was to close a chapter. You can hear that in the confidence. The beats arent trying to impress, theyre trying to move you, and they do. On wax, that low end blooms. The End of an Era vinyl gives the kicks room to thump and keeps the crisp top end intact, which is exactly what these songs need. If youre crate digging and you see an Iggy Azalea vinyl pressing, pick it up. It sits nicely next to club-forward rap records from the same era, and its the kind of spin that wakes up a late house party. For collectors who buy Iggy Azalea records online, this one is a smart grab, and it pairs well with the rest of your Iggy Azalea albums on vinyl if youve already got The New Classic and In My Defense. Ive seen copies pop up in Melbourne record store bins and on local sites that ship vinyl records Australia wide, which feels fitting for an artist who made the long jump from Mullumbimby to global pop stardom. The End of an Era isnt about changing minds so much as owning a lane, and in that lane it delivers. Big subs, bigger attitude, a final toast to a period of her life that was anything but quiet. If this was the sendoff before a pause, its a loud, satisfying one, the kind you replay when you need to remember how it feels to walk into the night like it belongs to you. Product Reviews Hide Show Write a Review