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Amy Winehouse – Back To Black (2LP) – Deluxe Edition Vinyl

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Album Info Hide Show Artist: Amy Winehouse Album: Back To Black Released: Europe, 25 Nov 2016 Tracklist: 1 Original Album A1 Rehab 3:34 Arranged By [Band] – Gabriel Roth, Mark Ronson Arranged By [Orchestra], Conductor – Chris Elliott Bass Guitar – Nick Movshon Cello – Anthony Pleeth, Joely Koos, John Heley Contractor [Orchestra] – Isobel Griffiths Drums – Homer Steinweiss Engineer [Assistant] – Jesse Gladstone, Mike Makowski Guitar – Binky Griptite, Thomas Brenneck Handclaps – Mark Ronson, Vaughan Merrick Harp – Helen Tunstall Leader [Orchestra] – Perry Montague-Mason Percussion – Frank Ricotti Piano, Electric Piano [Wurlitzer], Handclaps – Victor Axelrod Recorded By – Mark Ronson, Vaughan Merrick Saxophone [Alto] – Andy Macintosh, Chris Davies Saxophone [Baritone] – Dave Bishop, Ian Hendrickson-Smith Saxophone [Tenor] – Jamie Talbot, Mike Smith , Neal Sugarman trombone [Tenor] – Richard Edwards trumpet – Dave Guy, Steve Sidwell Viola – Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt Violin – Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski A2 You Know I’m No Good 4:17 Arranged By [Band] – Gabriel Roth, Mark Ronson Bass Guitar – Nick Movshon Drums – Homer Steinweiss Engineer [Assistant] – Jesse Gladstone, Mike Makowski Guitar – Binky Griptite, Thomas Brenneck Piano, Electric Piano [Wurlitzer], Handclaps – Victor Axelrod Recorded By – Mark Ronson, Vaughan Merrick Saxophone [Baritone] – Ian Hendrickson-Smith Saxophone [Tenor] – Neal Sugarman trumpet – Dave Guy A3 Me And Mr Jones 2:33 Double Bass [Upright Bass], Drums, Piano – Salaam Remi Guitar, Backing Vocals – Amy Winehouse Guitar, Saxophone [Baritone & Tenor] – Vincent Henry trumpet [Bass], Flugelhorn – Bruce Purse A4 Just Friends 3:13 Bass – Salaam Remi Clarinet, Clarinet [Bass], Guitar – Vincent Henry Drums – troy Auxilly-Wilson Guitar – Amy Winehouse Organ, Electric Piano [Rhodes] – John Adams trumpet, trumpet [Bass], Flugelhorn – Bruce Purse A5 Back To Black 4:01 Arranged By [Band] – Gabriel Roth Arranged By [Orchestra], Conductor – Chris Elliott Bass Guitar – Nick Movshon Cello – Anthony Pleeth, Joely Koos, John Heley Contractor – Isobel Griffiths Drums – Homer Steinweiss Engineer [Assistant] – Jesse Gladstone, Mike Makowski Guitar – Binky Griptite, Thomas Brenneck Leader [Orchestra] – Perry Montague-Mason Percussion – Frank Ricotti Piano – Victor Axelrod Recorded By – Mark Ronson, Vaughan Merrick Saxophone [Alto] – Andy Macintosh, Chris Davies Saxophone [Baritone] – Dave Bishop Saxophone [Tenor] – Jamie Talbot Viola – Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt Violin – Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski A6 Love Is A Losing Game 2:35 Arranged By [Band] – Gabriel Roth, Mark Ronson Arranged By [Orchestra], Conductor – Chris Elliott Bass Guitar – Nick Movshon Cello – Anthony Pleeth, Joely Koos, John Heley Contractor [Orchestra] – Isobel Griffiths Drums – Homer Steinweiss Engineer [Assistant] – Jesse Gladstone, Mike Makowski Guitar – Binky Griptite, Thomas Brenneck Harp – Helen Tunstall Leader [Orchestra] – Perry Montague-Mason Percussion – Frank Ricotti Piano – Victor Axelrod Recorded By – Mark Ronson, Vaughan Merrick Saxophone [Alto] – Andy Macintosh, Chris Davies Saxophone [Baritone] – Dave Bishop Saxophone [Tenor] – Jamie Talbot, Mike Smith trombone [Tenor] – Richard Edwards trumpet – Steve Sidwell Viola – Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt Violin – Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski B1 Tears Dry On Their Own 3:06 Backing Vocals – Amy Winehouse Bass, Piano, Guitar – Salaam Remi Drums, Tambourine – troy Auxilly-Wilson Performer [Uncredited, Sample Interpolation] – Marvin Gaye, Tammi Terrell Saxophone [Baritone, Tenor, Alto], Flute, Clarinet, Piano, Strings [Celeste], Guitar – Vincent Henry trumpet, trumpet [Bass], Flugelhorn – Bruce Purse B2 Wake Up Alone 3:42 Arranged By [Band] – Gabriel Roth Arranged By [Band], Recorded By – Mark Ronson Bass Guitar – Nick Movshon Drums – Homer Steinweiss Engineer [Assistant] – Jesse Gladstone, Mike Makowski Guitar – Binky Griptite, Thomas Brenneck Piano – Victor Axelrod Recorded By – Vaughan Merrick B3 Some Unholy War 2:22 Bass, Drums, Guitar – Salaam Remi Guitar – Vincent Henry Guitar, Backing Vocals – Amy Winehouse Organ – John Adams B4 He Can Only Hold Her 2:46 Backing Vocals – Ade, Zalon Bass Guitar – Nick Movshon Drums – Homer Steinweiss Finger Snaps – Mark Ronson Guitar – Binky Griptite, Thomas Brenneck Percussion – Sam Koppelman Performer [Uncredited, Sample interpolation] – The Icemen Piano – Victor Axelrod Producer [Original Demo] – PNut Recorded By – Derek Pacuk, Dom Morley, Gabriel Roth, Matt Paul, Vaughan Merrick Saxophone [Baritone] – Cochemea Gastelum Saxophone [Tenor] – Neal Sugarman trumpet – Dave Guy B5 Addicted 2:45 Bass, Drums – Salaam Remi Drums – troy Auxilly-Wilson Guitar, Backing Vocals – Amy Winehouse Organ, Organ [Rhodes] – John Adams Saxophone, Guitar – Vincent Henry trumpet, trumpet [Bass], Flugelhorn – Bruce Purse 2 Bonus Album C1 Valerie C2 Cupid C3 Monkey Man C4 Some Unholy War D1 Hey Little Rich Girl D2 You’re Wondering Now D3 To Know Him Is To Love Him D4 Love Is A Losing Game (Original Demo) Info About Buying Vinyl From Our Record Store We are a small independent record store located at 211 High St, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir) We buy and sell new and used vinyl records – if you have a collection you’d like to sell please click here . We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post. Free Shipping for orders $150 and over. You can also pick up your order in store, just select Local Pickup at the checkout. We also ship internationally – prices vary depending on weight and location. We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records. In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times. If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately. We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn’t arrive we will cover the cost of replacing or returning the record. If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store. You can contact our Melbourne record shop at (03) 9939 3807 or at [email protected] Happy Listening! Description Hide Show Amy Winehouse’s Back to Black is a masterpiece that has stood the test of time, cementing its place as one of the most iconic albums of the 21st century. Released on 27 October 2006, this record not only showcased Winehouse’s incredible vocal talent but also her ability to channel raw emotion and personal experiences into her music. The album, produced primarily by Mark Ronson and Salaam Remi, is a seamless blend of soul, jazz, and R&B, with a retro aesthetic that pays homage to the girl groups of the 1960s while remaining distinctly modern. From the opening track, “Rehab”, Winehouse’s unique voice and candid lyricism grab your attention. The song, with its catchy hook and defiant attitude, became an anthem and a defining moment in her career. Its a bold introduction to an album that delves deep into themes of love, heartbreak, and self-destruction. The title track, “Back to Black”, is a hauntingly beautiful ballad that captures the pain of a broken relationship. Winehouse’s delivery is both vulnerable and powerful, and the production, with its lush strings and dramatic percussion, perfectly complements the song’s melancholic tone. Other standout tracks include “You Know I’m No Good”, a sultry confession of infidelity, and “Tears Dry on Their Own”, which samples the classic “Ain’t No Mountain High Enough” and transforms it into a bittersweet anthem of resilience. “Love Is a Losing Game” is another highlight, a stripped-down ballad that showcases Winehouse’s ability to convey deep emotion with simplicity and grace. Each song on the album feels meticulously crafted, with lyrics that are both deeply personal and universally relatable. The production on Back to Black is a key element of its success. Mark Ronson and Salaam Remi created a sound that is both timeless and contemporary, drawing inspiration from Motown and Phil Spector’s Wall of Sound while incorporating modern elements. The use of live instrumentation, including horns, strings, and vintage-style drums, gives the album a warm, organic feel that contrasts with the often polished production of mainstream pop music at the time. Critically, Back to Black was a triumph. It received widespread acclaim upon its release and went on to win numerous awards, including five Grammy Awards in 2008, making Winehouse the first British female artist to win five Grammys in one night. The album’s impact on popular music cannot be overstated; it paved the way for a resurgence of interest in soul and retro-inspired music, influencing artists like Adele, Duffy, and Florence and the Machine. Tragically, Amy Winehouse’s life was cut short in 2011, but her legacy lives on through her music. Back to Black remains a testament to her extraordinary talent and a reminder of the power of music to connect with people on a deeply emotional level. Listening to the album today, its impossible not to be moved by the honesty and vulnerability that Winehouse poured into her songs. Its a record that continues to resonate with listeners around the world, a true classic that will be cherished for generations to come. 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